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In Part I, David Williams traces the poetics of teratology, the study of monsters, to Christian neoplatonic theology and philosophy, particularly Pseudo-Dionysius's negative theology and his central idea that God cannot be known except by knowing what he is not. Williams argues that the principles of negative theology as applied to epistemology and language made possible a symbolism of negation and paradox whose chief sign was the monster. Part II provides a taxonomy of monstrous forms with a gloss on each. Part III examines the monstrous and the deformed in three heroic sagas - the medieval…
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2 editions- Paperback · English · 1999Mcgill Queens Univ Pr · 392 pages · 9780773518711
- Other · English · 1996McGill-Queen's University Press · 392 pages · 9780773513891
Art, MedievalHistoryHistory and criticismLiterature, MedievalMedieval ArtMedieval LiteratureMonstersMonsters in art





