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"Hearing in Time uses cognitive theories of perception and attention to explore musical meter. London shows how our ability to follow musical meter is simply a specific instance of our more general ability to synchronize our attention to regularly recurring events in our environment. Thus, musical meter is subject to a number of fundamental perceptual and cognitive constraints that form the cornerstones of London's account. Because listening to music, like many other rhythmic activities, is something that we often do, London views it as a skilled activity for performers and non-performers…
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Editions
5 editions- Other · English · 2012Oxford University Press · 9781280777585
- Other · English · 2012Oxford University Press, Incorporated · 9780199921218
- Other · English · 2012Oxford University Press · 234 pages · 9780199744374
- Other · English · 2004Oxford University Press · 9781280503214
- Other · English · 2004Oxford University Press, USA · 206 pages · 9780195160819
Musical perceptionMusical meter and rhythmAuditieve waarnemingPerception de la musiqueMesure et rythmeRitmeMusikwahrnehmungMusique