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"Below the level of the musical note lies the realm of microsound, of sound particles lasting less than one-tenth of a second. Recent technological advances allow us to probe and manipulate these pinpoints of sound, dissolving the traditional building blocks of music - notes and their intervals - into a more fluid and supple medium. The sensations of point, pulse (series of points), line (tone), and surface (texture) emerge as particle density increases. Sounds coalesce, evaporate, and mutate into other sounds." "Composers have used theories of microsound in computer music since the 1950s.…
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Editions
7 editions- Paperback · English · 2004The MIT Press · 423 pages · 9780262681544
- Hardcover · English · 2002The MIT Press · 423 pages · 9780262182157
- Other · English · 2004MIT Press · 423 pages · 9781280499371
- Other · English · 2004MIT Press · 424 pages · 9780262282444
- Other · English · 2004MIT Press · 424 pages · 9780262303712
- Other · English · 2004MIT Press · 424 pages · 9780262304122
History and criticismMusicComputer musicAcoustics and physicsElectronic musicInstruction & StudyTheoryMusic, acoustics and physics
