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"A Renaissance print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of early prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive power, beauty, and meaning.". "Published in conjunction with an exhibition organized by The Baltimore Museum of Art, Painted Prints…
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Editions
1 edition- Other · English · 2002Pennsylvania State University Press · 295 pages · 9780271022345
PrintsColoringExhibitionsEuropean PrintsBaroque PrintsRenaissance PrintsNorthern European PrintsEstampes européennes