Partial Magic

This new work by an imaginative critic of vigorous intellectual powers radically revises our understanding of the novel as a genre. Against a variety of critical stances, from Marxist and Freudian to Jamesian and Leavisite, Mr. Alter argues that "realism" is by no means the exclusive generic aim of the novel. He maintains that the novel, beginning from Cervantes with the erosion of belief in the authority of the written word, has been much more essentially playful and inquisitively philosophical than prevailing critical notions allow. Mr. Alter explores the writer's pleasure in the…