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The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring…
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Editions
2 editions · 2 languages- Other · English · 2017Ashmolean Museum · 256 pages · 9781910807156
- Other · Italian · 2020Accademia Raffaello · 309 pages · 9788887573527
Italian DrawingHigh Renaissance ArtExhibitionsDrawing, italianDrawing, exhibitionsRaphael, 1483-1520Criticism and interpretationArtists' preparatory studies