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"n the mid-1950s Robert Rauschenberg began making what he called "Combines"--radically experimental works that mix paint and other art materials with things found in daily life. These hybrid creations offered a dramatic counterpoint to the gestural abstraction that prevailed in contemporary American painting. Canyon (1959), one of the artist's best-known Combines, is a large canvas bearing paint, a postcard, a man's shirt, photographs, newspaper clippings, wood, a flattened metal can and paint tube, a piece of glass, and, thrusting out from its surface, a stuffed bald eagle. Leah Dickerman's…

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Editions

6 editions
  • Other · English · 2014
    Museum of Modern Art · 48 pages · 9780870708947
  • Other · English · 2005
    PaceWildenstein · 47 pages · 9781930743434
  • Other · English · 2000
    PaceWildenstein · 36 pages · 9781930743014
  • Other · English · 1999
    PaceWildenstein · 9781878283832
  • Other · English · 1997
    PaceWildenstein · 12 pages · 9781878283719
  • Other · English · 1987
    Vintage Books · 169 pages · 9780394755298
American ArtArtistsInterviewsModern ArtArt, americanArtists, united statesExhibitionsAmerican Painting