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In the wake of World War II, the paintings of Jackson Pollock, Mark Rothko, Barnett Newman, Willem de Kooning, and other New York School artists participated in a culture-wide initiative to reimagine the self. At a time when widely held beliefs about human nature and the human condition were coming to seem to many commentators increasingly outdated and inadequate, Abstract Expressionism gave compelling visual form to a new subjectivity - a new experience and idea of self. In this original and wide-ranging study, Michael Leja argues that the interest of these artists in tapping "primitive" and…
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Editions
2 editions- Paperback · English · 1997Yale University Press · 400 pages · 9780300070828
- Other · English · 1993Yale University Press · 392 pages · 9780300044614
Criticism and interpretationAbstract expressionismSubjectivity in artAmerican PaintingPainting, historyPollock, jackson, 1912-1956Painting, modern, 20th centuryExpressionnisme abstrait







