Sinatra

"I am a symmetrical man, almost to a fault," Frank Sinatra once said. It is a peculiar statement, because Sinatra is precisely asymmetrical. How to reconcile the enchanting crooner and the explosive bully? What to make of the smooth tones of his voice and the rough edges of his persona? To find the true correspondence between the public and the private Sinatra, the artist and the man, is no easy task. John Lahr, drama critic for The New Yorker has done just this in Sinatra: The Artist and the Man. Lahr traces the trajectory of the "solitary latchkey kid" from Hoboken, New Jersey, into the…