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In the 1960s LeWitt began investigating the cube—a form that remained an essential element of his artistic language throughout his career. But in 1973, the artist started to literally take the cube apart. The Conceptual artist’s exploration places emphasis on the idea rather than the art object, and so LeWitt asked: how many variations could be created by systematically subtracting parts from an open cube? For months he painstakingly worked through the artistic process and idea, and concluded with 122 variations of incomplete open cubes. The sculpture Incomplete Open Cube 6/19 represents the…
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Editions
11 editions · 6 languages- Paperback · English · 1999Museum of Contemporary Art, Chicago · 136 pages · 9780933856585
- Other · English · 2001Wadsworth Atheneum Museum of Art · 112 pages · 9780262523110
- Other · English · 2000San francisco Museum of Modern Art · 416 pages · 9780300083583
- Other · English · 1978The Museum · 181 pages · 9780870704277
- Paperback · Italian · 2018Koenig Books · 320 pages · 9783960983446
- Other · Turkish · 2010Borusan Contemporary · 21 pages · 9789944483438
Cube in artAmerican PrintsSite-specific installations (Art)ExhibitionsColor in artConceptual artCriticism and interpretationGeometrical drawing