Structuring Time

This book presents a new approach to the conceptual basis of all visual art derived from his work, and while it is about making movies—the catch-all for video, film, computer graphics and anything else that may appear to move—the thrust of this book is a radical redefinition of all visual media, including traditional standards like painting. The framework these notes propose is a way of thinking about visual art that eliminates all former media in favor of a division based on our ability to see movement or change in a work of art. While most movies change and move rapidly, this understanding…