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"From the vantage of hipness, the dominant culture constitutes a system bent on excluding creativity, self-awareness, and self-expression. The hipster's project is thus to define himself against this system, to resist being stamped in its uniform square mold. Ford explores radio shows, films, novels, poems, essays, jokes, and political manifestos, but argues that music more than any other form of expression has shaped the alienated hipster's identity."--Book jacket.
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Editions
1 edition- Other · English · 2013Oxford University Press · 306 pages · 9780199939916
Popular musicIntellectual lifeHistory and criticismInfluenceBeats (Persons)CivilizationMusicCounterculture






